Veronique is a lighting, set and costume designer. In 2019, Veronique completed a Master of Fine Art (Design for Performance) majoring in lighting. She also holds a Bachelor of Fine Art (Technical Theatre and Stage Management) from NIDA.
As a lighting designer, Veronique’s credits include: HAPPY DAYS (Red Line Productions); SACRE (Circa); BANGING DENMARK (Sydney Theatre Company); WOLVES (Belvoir); THE SMALLEST HOUR (Griffin Theatre); JOHN (Outhouse Theatre Co.); THE LIFE OF US (Hayes Theatre); NOSFERATU (Old 505); STUPID FUCKING BIRD (New Theatre); HAPPY DAYS, CHORUS, ANATOMY OF A SUICIDE, PERMISSION TO SPIN, HOWIE THE ROOKIE (Old Fitz); A GIRL IS A HALF-FORMED THING (KXT).
Veronique designed costumes for MUSEUM OF MODERN LOVE (Seymour Centre/Sydney Festival); set and lighting design for EXIT THE KING (Red Line Productions) and ULSTER AMERICAN (Outhouse Theatre Co); costume design for AS YOU LIKE IT (Sport for Jove); set and costume design for OUR BLOOD RUNS IN THE STREET (Red Line Productions); set and lighting for VENUS IN FUR, costume and lighting design for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (NIDA).
Veronique’s associate lighting designer credits include: CURSED! designed by Chloe Oglvie (Belvoir); NO PAY? NO WAY! designed by Paul Jackson (Sydney Theatre Company); PRIMA FACIE designed by Trent Suidgeest (Griffin Theatre); CRY-BABY directed and designed by Alexander Berlage (Hayes Theatre Co); and MACBETH, THE TEMPEST and A MIDSUMMER NIGHT’S DREAM for Sport for Jove.
Associate set and costume designer roles include: JOHN and GLORIA designed by Jeremy Allen for Outhouse Theatre Co; and design associate for THE BEAUTY QUEEN OF LEENANE designed by Renée Mulder for Sydney Theatre Company.
She is currently twice nominated for Sydney Theatre Awards for Best Stage Design of an Independent Production for EXIT THE KING and ULSTER AMERICAN; and nominated for Best Lighting Design of an Independent Production for HAPPY DAYS; she was nominated for Best Lighting Design of an Independent Production for JOHN.